Tag: reading

Drag Queen Story Time

My thoughts on the tremendous benefits of Drag Queen Story Time.

I’ve always been an advocate of teaching children to love reading. It’s one of the reasons why I wanted to become not only a teacher but an author too. When it comes to encouraging children to love reading, the key element you simply must incorporate is that of performance. That, first and foremost, is why I support Drag Queen Story Time.

There are many different things competing for children’s attention. Television, computer games, books, sports, etc. This is not to say that any of these should be barred from children’s lives. Balance, as in all things, is important. However, it cannot be denied that children who grow up with an appreciation for reading reap a great many benefits later in life. They are more able to engage with the world, they appreciate knowledge and they are able to empathise better with others. This is why it is important to show children, from a young age, how much fun reading can be. When reading to very young children, you do this by reading directly to them, on a daily basis, and you put your heart and soul into it. You don’t just read the book, you perform it.

I shall not name names, but I’ve heard a fair few people read books to groups of children in such a way that made me wince. Monotone, no character voices, no gestures, no facial expression, no nothing. Now I know not everyone is a performer at heart, but as I said, there are a lot of things vying for children’s attention. The TV offers bright, moving colours and lots of sound. If children are to learn from a young age that books can be fun, you’ve got to bring that same level of energy and engagement when reading to them.

Drag artists are performers. They operate on a level of theatricality some of us can only dream of. They bring that energy and theatricality to Story Time and, judging by the levels of attendance, it’s fairly clear that it works. The feedback I see from parents and children also goes a long way to confirming how much children are enjoying these sessions. They respond to the colourful costumes and, most importantly, the energy and dynamism of the Drag Queen’s reading. They link how much they are enjoying the performance with the book, and are therefore encouraged to explore books themselves. Long before children learn to read, they can learn to love books.

I greatly admire everyone involved in bringing these fun and engaging story sessions to libraries across the country, and it has saddened me to no end to see the vitriol that is aimed at them. Footage of protestors harassing the Drag Queens, and even shouting vile abuse in front of children, leaves me sickened. The accusations lobbied by some of these individuals don’t bear repeating, but suffice to say, they’re nothing that members of the LGBTQ community haven’t heard before. In a nutshell, the underlying theme of it all is that somehow we are inherently unsafe to be around children. This is, of course, bigoted nonsense. Everybody who works with children goes through the same vetting process.

That being said, it isn’t just that the protestors think we’re unfit to be around children. They also think that we’re there to somehow ‘indoctrinate’ children. The very notion that watching a Drag Queen ready a story is going to somehow ‘turn’ a child gay or trans is beyond laughable. These people are protesting Story Time because they equate being LGBTQ with some level of harm, of trauma. That we were somehow ‘made’ to be the way we are. They cannot possibly allow us the dignity of knowing ourselves, they have to attach some level of blame to something or someone. As the song goes, we’re born this way, and a cis, straight child is going to grow up to be just that, cis and straight. Our sexuality and our gender aren’t just something we decide upon when we turn 18. That’s true of everyone. Ask a straight person when they chose to be straight, and they’ll usually give you a look that suggests just how ridiculous the question is. Rightly so.

Many Drag Queens are reading stories that have LGBTQ themes. All age appropriate and in keeping with educational guidelines. These books aren’t new, and I’m always heartened when I see them in schools. They’re there to speak to the LGBTQ youths of today, wondering if they are alone in how they feel about themselves. They might not speak to cis and straight youths in the same way, but they help them to realise that some of the people in their lives are different to them, and that that’s okay. Reading is meant to open young people’s minds, and LGBTQ inclusive resources do just that. It is not indoctrination to teach children that LGBTQ people exist. Indoctrination is teaching children to hate others for being ‘different’.

You know what? Drag Queens also read books that don’t mention LGBTQ issues. They read all sorts of children’s books, and they do it in a fun and engaging way, using their skills as performers. So, to all those who say that drag is not appropriate for children, I’ll say this. Do you honestly think that a Drag Queen is performing exactly the same material they’d normally do at a Drag Show? Of course not. They’re performers. They adapt their material and their performance to suit their audience. That’s what performers do. The vast majority of us grew up with pantomimes and seeing drag artists on the television. Surprisingly enough, plenty of children who saw Lily Savage back in the day grew up straight and cis. Drag is nothing new, and it is not inherently inappropriate. There are a fair few straight, cis children’s entertainers who have done other things in their careers, including performing adult material. Yet, for some reason, they never get the same level of bile aimed at them as a Drag Queen.

Another element of Drag Queen Story Time that so many people seem to forget is that it’s voluntary. Nobody is forcing you to go. You do not have to take your children. You could not be forced to go. If you’d rather stick your children in front of a screen for ten hours a day, then do so. I guarantee you, the children singing and laughing along at Drag Queen Story Time will be having a much better time, and are making memories that will last. They are learning that books are gateways that open up a world of imagination and fun. They are enjoying themselves, watching and listening to someone in a costume that has most certainly held their attention throughout. The parents of those children have chosen to take their children to the library. They are supervised at all times and they are learning while having fun. That is not something to protest against.

As I write this, we’re currently facing perhaps the biggest cost of living crisis in decades. If you honestly think the biggest problem currently facing the youth of today is Drag Queens reading stories to them, then I can’t help but feel sorry for you. Such ignorance is an indulgence that does no one any good.

It’s someone reading to children in a bright costume and make up. A theatrical tradition that goes back centuries. Frankly, it isn’t something to be concerned about.

Happy Birthday Figment Wars!

A blog celebrating five years since the publication of ‘The Figment Wars: Through the Portals’!

Last year, on World Book Day, I found myself addressing an assembly hall full of Year 10 students. An assembly hall of Year 10 students who’d never heard of me or my book. I acknowledged this from the beginning, telling them I wish I could tell them that I’ve sold thousands of books and that those books are about to be made into a film, but I can’t. I’m no good at bluster at the best of times and I was raised not to lie (bang goes any hope of a career in politics). I told them the truth because I felt it important to make a fundamental point; you don’t get into writing with the sole purpose of becoming rich and famous, and anyone who does is usually bitterly disappointed.

 

You get into writing because you love it.

 

That is why, when I look back over the last five years, I don’t feel any kind of regret. I’d made many attempts over the years at writing something I thought I could really do something with, all to no avail. Then there came that trip into Bath on the Park n’ Ride bus with a good friend. That’s when the idea first came to me, and I worked hard to turn it into something. I tried various methods of publication, and when Austin Macauley came along with an offer, I said “Yes”. I don’t regret that decision, not for a moment.

 

The past five years have been eventful, to say the least. When I first started writing ‘Through the Portals’, I’d only just moved in with my partner. A huge new chapter in my life had only just started, and there I was possibly embarking on a whole new one already. Since then we’ve bought our first house, a move that unfortunately coincided with a breakdown of my mental well being. I was signed off work and ultimately left my job. It was during that time that I joined my local amateur dramatic society, Sodbury Players, and not only rediscovered my love of performing, but made some excellent new friends. It was mostly down to the confidence I’d found from joining Players that led me to getting the second Figment Wars novel published. A novel that had been sitting in my computer for quite some time. As that book was published I began pursuing agency work that allowed me to balance work with writing.

 

When I look back at that moment when I first held an actual, physical copy of my book, it’s difficult to recall precisely what I was thinking. I know that I didn’t automatically expect it to be a runaway success. That wasn’t why I’d decided to write it. I’d enjoyed writing the story and I wanted to share it. It was as simple as that then, and the only thing that’s really changed is the ways I go about sharing the story. The world doesn’t owe anyone success, and even if you don’t achieve it, the point is to try. I’m still learning about the world of promoting books and there’s still a great deal for me to learn. Rather than obsess over the goal, I’m enjoying the journey.

 

There have been a number of experiences over the last five years that I’d like to reflect on. Getting to hold a copy of my book was fantastic, of course, but attending a comic con event and selling copies of my book for the first time was a truly rewarding experience. I’ve been attending such events for many years, so to be on the other side of the table was somewhat surreal. Collaborating with Ello Dave Media to create a live action trailer for the first novel was also a surreal experience, seeing my characters come to life, played by tremendously talented people that I’m fortunate to count among my friends. Getting honest feedback from friends and family about the story has also been something I cherish. Not only am I not obsessing over sales, I’m also not here to have smoke blown up my backside. I appreciate every thought and observation put my way.

 

It’s hard to tell what the next five days will bring, let alone the next five years. I’ve been hard at work on the next Figment Wars novel. I’ll give out no further details on that just yet, only to say that I’m hopeful about getting things moving fairly soon. Whatever happens over the next few years, I plan to do my best to bring my stories to the relevant audience as long as it is within my means to do so. As I said, I’m still learning a great deal about what it takes to get a book noticed. One thing I do know is that it isn’t easy, but it’s certainly worthwhile to try.

 

I’d like to end by thanking everyone that’s offered their support over the last five years and indeed, before publication itself. The team at Austin Macauley have always been supportive and without you all I would not have had these experiences. To all my family and friends, you give me the confidence to be myself at all times, even when being myself involves being a little strange.

Summer’s Here!

A quick look back and a view of what’s to come!

Summer is genuinely my favourite time of year, despite anyone who’s actually met me knowing that I clearly burn just by glancing at the sun. The summer solstice is upon us, so I’d like to take this opportunity to not only reflect on some of the highlights of the year so far, but also to let you all know of some of the exciting things planned for the summer and beyond!

 

This year marked my first time delivering my writing workshops to a school on World Book Day, and it was a truly rewarding experience! Inspiring pupils to get creative and giving them the confidence to explore their ideas is something I’m very passionate about. Of course, in my opinion, every day is a Book Day, and I am available for workshops throughout the year!
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My second book, ‘The Figment Wars: Search for the Caretaker’ has been out and about for over half a year, while the fourth anniversary of the publication of ‘Through the Portals’ is fast approaching. Feedback on ‘Search for the Caretaker’ has been very positive, with many asking when the next will be ready. Rest assured, a third novel is currently underway.

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Collectormania 26 was a fantastic weekend, selling and signing copies of both my books in Artist Alley. Ever since attending my first Collectormania back in 2006, I’ve missed a grand total of one. Through attending conventions I’ve not only met some of my heroes from the world of acting, I’ve also made some wonderful friends. Being on the other side of the table at an event that’s meant so much to me over the years made for a truly special weekend!

 

Now for the future! After the summer I’m currently lined up to do three more conventions. These are;

  • Em Con Worcester, 14th September
  • Em Con Derby, 6th October
  • Bristol Comic Con & Gaming Festival, 19-20th October

Worcester in particular represents a welcome return to my old stomping grounds, and of course new events and bookings will be announced on social media. I thoroughly enjoy meeting people at these events, engaging with readers about a mutual love of fantasy and I hope to see lots of you there!

 

After the success of the first live action trailer for ‘Through the Portals’, plans are currently being made to film a trailer for ‘Search for the Caretaker’. The last trailer was an utter joy to work on, bringing together many of my indecently talented friends to create an eye catching introduction to my first book. The aim is to have it ready for Em Con Worcester, so watch this space!

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Work continues apace on the third Figment Wars book, which is currently untitled. Overall, lots of exciting things are happening, and I look forward to sharing it all with the Figment Fans!

 

Don’t Take the Mickey

A blog regarding the importance of generating your own promotional content.

I’d like to recount a small online debacle I recently found myself in. Well, less a debacle, more an oddity. I’m a member of several groups on Facebook, most of them geared towards book promotion. A few weeks ago, I came across a post that caught my eye for all the wrong reasons.

An author, who shall remain nameless, had photoshopped an image of Queen Elsa from Disney’s ‘Frozen’ so that it appeared she was holding up his latest book. I was not alone in pointing out the folly in this. When I looked at some of his other promotional material, I found several other uses of copyrighted images. He was also using classical quotes in several clumsy attempts to somehow link them to his book.

I pointed out that this was not a good marketing strategy and urged him to take down the copyrighted images. He chose to respond, despite having ignored almost anyone else that had commented. At first I was asked if he had upset me somehow. I assured him he had not, and again urged him to take down the copyrighted images. I was then treated to his life story, and got his assurances that a “lawyer friend” of his had told him he could use the images for the purposes of satire.

Now, this just doesn’t stand. Satire does indeed cover the fair use of many images, but not when it comes to promoting a product. I pointed this out and was told that he would take them down, and that ultimately he wouldn’t miss them because he’d just received an award and that was far more important to him. So important, that as of typing this, many of these images are still on his Instagram and Twitter accounts. It became clear that I was dealing with someone who did not understand the fundamental principle of copyright law, nor its penalties. I therefore left him to it.

While it certainly didn’t “upset” me, as he put it, the whole thing did irk me somewhat. As writers, we work hard to create our own worlds and our own material. Certainly we take inspiration from work that has come before us, but to out and out use someone else’s material to promote your book is just plain lazy and idiotic. The same goes for using classical quotes, from Shakespeare no less, and claiming they apply to your work. Writing blurbs and condensing your work into promotional sound bytes is hard, but you’ve got to be prepared to put the effort in.

Since the publication of my first book, I’ve always strived to generate my own promotional content. I consider it a source of pride and a continuing creative challenge. Have I done it alone? Certainly not. My publishers, Austin Macauley, have always been extremely accommodating when it comes to providing me with promotional resources. I’ve also had the great pleasure to work with Ello Dave Media, who have helped me generate great promotional videos. Even when I have knocked up the occasional poster for a one-off event, I made sure that I had the right to use all the images it contained.

That was why I felt so compelled to attempt to reach out to this individual, even though my words fell on deaf ears. All legal issues aside, when you take someone else’s work and use it to promote your own product for your own gain, you are taking advantage of their hard work and putting your own laziness on display. More than that, most potential readers see through such gimmicks straight away. You might get noticed, but it’s not going to get you many sales.

There, rant over. The moral of the story is simple. Don’t steal other people’s stuff.